Read a great article today in the Nov 2010 issue of Yoga Journal about the history of asana yoga. Contrary to popular beliefs about asana yoga as a continuation of an ancient indigenous tradition, the article explores how the asana/vinyasa practice that has become practically synonymous with yoga in the west, developed in a modern context of physical culture and nationalism in the early 1900s, borrowing from a style of gymnastics developed – in the west! The article was written by Mark Singleton, author of the book, Yoga Body: The Origins of Modern Posture Practice.
In describing his research, Singleton writes,
There was little doubt in my mind that many yoga practitioners today are the inheritors of the spiritual gymnastics traditions of their great-grandparents far more than they are of medieval hatha yoga from India… As syncretic yoga practices were developing in the modern period, they were interpreted through the lens of, say, the American harmonial movement, Danish gymnastics, or physical culture more generally.
He then goes on to describe a period of disillusionment, questioning the authenticity of his yoga practice. The foundations of his beliefs are shaken.
I find this reaction very interesting, because it is precisely this infusion of modern anxieties, colonialism, nationalism, etc. that makes asana yoga all the more relevant and legitimate to me. This is a modern spiritual/somatic practice, a product of modernity! That goes a long way in explaining to me its efficacy, rather than diminishing it.